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Das Rheingold
Richard Wagner

Axel Kober & Duisburger Philharmoniker

Das Rheingold

Price: € 22.95 16.07
Format: CD
Label: CAvi
UPC: 4260085535040
Catnr: AVI 8553504
Release date: 03 April 2020
old €22.95 new € 16.07
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2 CD
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22.95 16.07
old €22.95 new € 16.07
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Label
CAvi
UPC
4260085535040
Catalogue number
AVI 8553504
Release date
03 April 2020

"A highlight for me is always that heavy rhythm when the two giants, Fasolt and Fafner, make their appearance. And Raymond Very puts down a very good Lodge. But what strikes me most in this new recording, especially compared to Krauss's, is the realism in the acting, we clearly live in a different time."

Nieuwe Noten, 30-1-2022
Album
Artist(s)
Composer(s)
Press
EN

About the album

AXEL KOBER:
Water Damage turned into luck “The Rhine is where Richard Wagner’s cycle of operas “Der Ring des Nibelungen” begins and ends – and it was beside the Rhine in 1851 that the composer first dreamed of this equally visionary and monumental work. Even if Wagner’s plans for a festival would ultimately be realised in an entirely different part of Germany, the performance of a “Ring on the Rhine” will always remain something very special.

And where better to make this happen than at the Deutsche Oper am Rhein? Two cities, two orchestras, two casts of singers – with the Rhine opera’s fantastic ensemble of singers and its two outstanding orchestras, the Duisburger Philharmoniker and the Düsseldorfer Symphoniker, at their two venues in Duisburg und Düsseldorf, the essential conditions were in place. The “Ring on the Rhine” staged by Dietrich W. Hilsdorf and under my own musical direction gradually began to take shape from June 2017 onwards.

The successful conclusion of this two year musical and scenic collaboration was planned for the end of the 2018/19 season with the performance of a complete “Ring” cycle at each of the two venues. However, a few weeks before the premiere of “Götterdämmerung”, a defective sprinkler system
flooded Theater Duisburg. The damage this caused made completing the staged “Ring” cycle in Duisburg (for the time being) impossible.…..“ (From the Editorial of the musical director Axel Kober)

Artist(s)

Axel Kober (conductor)

Axel Kober has been Music Director of the Deutsche Oper am Rhein Düsseldorf Duisburg since the 2009/10 season, where he been the driving force behind a broad repertoire ranging from Händel and Mozart through Italian opera, Wagner and Strauss to classical operetta and significant works from the 20th and 21st centuries. His collaboration with the Duisburger Philharmoniker has also intensified on the concert platform since his appointment as General Music Director of the Duisburger Philharmoniker in 2019. In addition to his international concert engagements, Axel Kober also makes guest appearances at Europe’s leading opera houses such as the Wiener Staatsoper, the Deutsche Oper Berlin, the Semperoper in Dresden, Zurich Opera House and the Hamburgische Staatsoper, where he is highly sought...
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Axel Kober has been Music Director of the Deutsche Oper am Rhein Düsseldorf Duisburg since the 2009/10 season, where he been the driving force behind a broad repertoire ranging from Händel and Mozart through Italian opera, Wagner and Strauss to classical operetta and significant works from the 20th and 21st centuries. His collaboration with the Duisburger Philharmoniker has also intensified on the concert platform since his appointment as General Music Director of the Duisburger Philharmoniker in 2019. In addition to his international concert engagements, Axel Kober also makes guest appearances at Europe’s leading opera houses such as the Wiener Staatsoper, the Deutsche Oper Berlin, the Semperoper in Dresden, Zurich Opera House and the Hamburgische Staatsoper, where he is highly sought after, particularly for the German romantic repertoire. In January 2019 Axel Kober conducted a “Ring” cycle at the Wiener Staatsoper that was highly acclaimed by press and public alike: “conductor Axel Kober is the most important discovery for Viennese Wagnerians,” wrote the prestigious newspaper “Die Presse”. He has subsequently been invited back to the Staatsoper to conduct works including Weber’s “Der Freischütz”.
At the Bayreuth Festival he has been a regular performer on the green hill since his successful debut with “Tannhäuser” in 2013. Axel Kober began his career as a Kapellmeister in Schwerin and Dortmund, before becoming Deputy General Music Director in Mannheim and then moving to Leipzig Opera as Music Director and Head of Music in 2007. His outstanding productions for the Deutsche Oper am Rhein include Alban Berg’s “Wozzeck” with director Stefan Herheim and the award-winning ballet production of Brahms’ “Ein Deutsches Requiem” choreographed by Martin Schläpfer. Another highlight is Kober’s production of Wagner’s “Der Ring des Nibelungen” directed by Dietrich W. Hilsdorf. Axel Kober has conducted the “Ring on the Rhine” each year since its premiere in both Düsseldorf and in Duisburg.

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Composer(s)

Richard Wagner

Richard Wagner was an important innovator of music in his time. He is best known for his operas, which he himself preferred to refer to as musical dramas. He wrote the texts (the libretti) himself and sought to make a Gesamtkunstwerk, the ideal union of text, music and theatre. Over time, this lead to grandiose musical dramas which were performed in a specially built theater for these works in the small town of Bayreuth. Wagner's greatest critic, the philosopher Nietzsche, named his former friend the 'greatest miniaturist of music who in the smallest of space squeezed an endless amount of sense and sweetness'. Nietzsche regarded this as a sympton of decadence, yet it does portray the large variety of treasures which can...
more

Richard Wagner was an important innovator of music in his time. He is best known for his operas, which he himself preferred to refer to as musical dramas. He wrote the texts (the libretti) himself and sought to make a Gesamtkunstwerk, the ideal union of text, music and theatre. Over time, this lead to grandiose musical dramas which were performed in a specially built theater for these works in the small town of Bayreuth.

Wagner's greatest critic, the philosopher Nietzsche, named his former friend the "greatest miniaturist of music who in the smallest of space squeezed an endless amount of sense and sweetness". Nietzsche regarded this as a sympton of decadence, yet it does portray the large variety of treasures which can be found in Wagner's music: the mysterious fantasy stories of the love potion of Tristan & Isolde, Wotan's spear, the sea of flames of Brünhilde, the sword of Siegfried... Still the real main character is the orchestra, which shines its light on all the true intentions and feelings of these heroes with great depth.

Both as a composer and as an individual, Wagner remains a subject of controversy and emotional discussions. By many he is hailed as a hero, and by equally many others completely dismissed. But his influence as a composer and musical innovator is undeniable!


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Press

A highlight for me is always that heavy rhythm when the two giants, Fasolt and Fafner, make their appearance. And Raymond Very puts down a very good Lodge. But what strikes me most in this new recording, especially compared to Krauss's, is the realism in the acting, we clearly live in a different time.
Nieuwe Noten, 30-1-2022

Play album Play album
Disc #1
01.
Das Rheingold: Prelude and Scene One
04:19
Duisburger Philharmoniker
02.
Das Rheingold: Weia! Waga! Woge, du Welle
01:09
James Rutherford, Sylvia Hamvasi, Katarzyna Kuncio, Duisburger Philharmoniker
03.
Das Rheingold: Hehe! Ihr Nicker!
01:17
James Rutherford, Sylvia Hamvasi, Katarzyna Kuncio, Duisburger Philharmoniker
04.
Das Rheingold: Garstig glatter glitschriger Glimmer!
07:32
James Rutherford, Sylvia Hamvasi, Katarzyna Kuncio, Duisburger Philharmoniker
05.
Das Rheingold: Lugt, Schwestern!
05:54
James Rutherford, Sylvia Hamvasi, Katarzyna Kuncio, Duisburger Philharmoniker
06.
Das Rheingold: Der Welt Erbe gewänn' ich zu eigen durch dich?
04:15
James Rutherford, Sylvia Hamvasi, Katarzyna Kuncio, Duisburger Philharmoniker
07.
Das Rheingold: Second Scene – Introduction
01:04
James Rutherford, Sylvia Hamvasi, Katarzyna Kuncio, Duisburger Philharmoniker
08.
Das Rheingold: Wotan, Gemahl! Erwache!
06:31
James Rutherford, Sylvia Hamvasi, Katarzyna Kuncio, Duisburger Philharmoniker
09.
Das Rheingold: So schirme sie jetzt
01:51
James Rutherford, Sylvia Hamvasi, Katarzyna Kuncio, Duisburger Philharmoniker
10.
Das Rheingold: Sanft schloss Schlaf dein Aug'
07:03
James Rutherford, Sylvia Hamvasi, Katarzyna Kuncio, Duisburger Philharmoniker
11.
Das Rheingold: Zu mir, Freia! Meide sie, Frecher!
01:29
James Rutherford, Sylvia Hamvasi, Katarzyna Kuncio, Duisburger Philharmoniker
12.
Das Rheingold: Endlich Loge!
04:11
James Rutherford, Sylvia Hamvasi, Katarzyna Kuncio, Duisburger Philharmoniker
13.
Das Rheingold: Umsonst sucht' ich
03:54
James Rutherford, Sylvia Hamvasi, Katarzyna Kuncio, Duisburger Philharmoniker
14.
Das Rheingold: Nicht gönn' ich das Gold dem Alben
05:49
James Rutherford, Sylvia Hamvasi, Katarzyna Kuncio, Duisburger Philharmoniker
15.
Das Rheingold: Hör, Wotan, der Harrenden Wort!
02:01
James Rutherford, Sylvia Hamvasi, Katarzyna Kuncio, Duisburger Philharmoniker
16.
Das Rheingold: Über Stock und Stein zu Tal
02:33
James Rutherford, Sylvia Hamvasi, Katarzyna Kuncio, Duisburger Philharmoniker
17.
Das Rheingold: Jetzt fand ich's! Hört, was euch fehlt!
02:52
James Rutherford, Sylvia Hamvasi, Katarzyna Kuncio, Duisburger Philharmoniker
18.
Das Rheingold: Auf, Loge! Hinab mit mir!
03:53
James Rutherford, Sylvia Hamvasi, Katarzyna Kuncio, Duisburger Philharmoniker
19.
Das Rheingold: Third Scene: Hehe! Hehe!
03:35
James Rutherford, Sylvia Hamvasi, Katarzyna Kuncio, Duisburger Philharmoniker
20.
Das Rheingold: Nibelheim hier
00:45
James Rutherford, Sylvia Hamvasi, Katarzyna Kuncio, Duisburger Philharmoniker

Disc #2
01.
Das Rheingold: Wer hälfe mir ?
04:03
02.
Das Rheingold: Nehmt euch in acht; Alberich naht
02:28
03.
Das Rheingold: Was wollt ihr hier?
04:14
04.
Das Rheingold: Auf wonnigen Höh'n
05:38
05.
Das Rheingold: „Riesenwurm winde sich ringelnd!“
02:47
06.
Das Rheingold: Luge du her!
00:58
07.
Das Rheingold: Verwandlungsmusik / Change of Scene
03:37
08.
Das Rheingold: Fourth Scene:Da, Vetter, sitze du fest!
03:10
09.
Das Rheingold: Wohlan, die Nibelungen rief ich mir nah
01:44
10.
Das Rheingold: Gezahlt hab' ich, nun lasst mich ziehn
06:10
11.
Das Rheingold: Bin ich nun frei?
04:21
12.
Das Rheingold: Fasolt und Fafner nahen von fern
02:10
13.
Das Rheingold: Lieblichste Schwester, süßeste Lust!
02:28
14.
Das Rheingold: Gepflanzt sind die Pfähle
02:51
15.
Das Rheingold: Freia, die Schöne, schau' ich nicht mehr
02:44
16.
Das Rheingold: Weiche, Wotan! Weiche!
04:42
17.
Das Rheingold: Hört, ihr Riesen!
01:57
18.
Das Rheingold: Halt, du Gieriger!
02:04
19.
Das Rheingold: Was gleicht, Wotan, wohl deinem Glücke?
02:41
20.
Das Rheingold: Heda! Heda! Hedo!
02:41
21.
Das Rheingold: Zur Burg führt die Brücke
01:27
22.
Das Rheingold: Abendlich strahlt der Sonne Auge
03:43
23.
Das Rheingold: Rheingold! Rheingold! Reines Gold!
03:51
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